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  Samuel Minott (Page 2)

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Author Topic:   Samuel Minott
FredZ

Posts: 889
Registered: Jun 99

posted 08-29-2006 10:29 AM     Click Here to See the Profile for FredZ     Edit/Delete Message   Reply w/Quote
Peter,

You are wise to do what you can to document and verify your tankard and it looks as if you are prepared to meet and deal with any difficulties you may encounter. I would have thought they would have been delighted to have you bring in your tankard and meet it's possible mate. Thanks for keeping us posted. Has the lock been removed from the tankard?

Fred

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Scott Martin
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posted 08-29-2006 10:56 PM     Click Here to See the Profile for Scott Martin     Edit/Delete Message   Reply w/Quote
Peter,

Good luck and I am anxiously awaiting your next post. I too was wondering about the lock.

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ahwt

Posts: 707
Registered: Mar 2003

posted 08-29-2006 11:38 PM     Click Here to See the Profile for ahwt     Edit/Delete Message   Reply w/Quote
I hope you continue with your investigation. I am always amazed how easy the History Detectives on PBS gain access to top researchers, libraries and other sources of information. Maybe PBS would be interested in your story.

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t-man-nc

Posts: 319
Registered: Mar 2000

posted 08-30-2006 06:17 AM     Click Here to See the Profile for t-man-nc     Edit/Delete Message   Reply w/Quote
Peter,

Having found a good piece several years ago, just as you have, you will find that the folks here offer the best advice, I have proof....!

Also it appears that we have another “Silverphile” in our midst... :-) Welcome to our malady...

Having said that, you have two beautiful pieces that your family should cherish as heirlooms from now on.

Make sure you collect all of the history and document these pieces in two different places in case of disaster (fire, flood etc), Keep one in a safe deposit box, or another family member you trust in a different state, and keep them updated as new information is collected.

Identify these in you will as a specific item with clear instructions as to where it is to go and I suggest that you chose someone with reverence for your family history, and the financial where-with-all to insure the piece does not end up lost, due to failure to secure it properly, or financial need.

I have struggled with the same issues and have personally decided to create a living family trust as no one in my immediate family has shown any particular interest in preserving my collection. I have funded this with a simple life insurance policy (single premium) I paid for, that when the proceeds are paid out, that the funds are sufficient for the interest on the principal to maintain the continued cost of the trust for the foreseeable future. I have arranged that the control be vested in the trust department within a large (financially secure) financial institution, with specific instructions as to the ownership while in the trust, and instructions for disposal of the property inline with my wishes, if and when the trust is ever challenged in the future.

The details you can work out with a reputable financial planner and/or your banks trust department and your attorney.

Families get funny when inheritance comes into play, and there is always one that thinks they have been cheated or are convinced that they can get some additional value in some cases.

I mention all this, as there are practicalities of being possession of a significant piece of history that you want to maintain for posterity, and there is no way to predict the future, nor the sensibilities of future generations.

You must assume you are the only one in your family that will have the same passion for this and the future generations of your family that do appreciate these artifacts may speak kindly of you for this insight.

We are simply the stewards of this history...

Just my ramblings....

"Smaug"

PS If you are ever in need of shelf space for these, I will be in that long line of SMPUB members, more than willing to make some space for them... Can I get an Amen... (smile)

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witzhall

Posts: 124
Registered: Mar 2006

posted 08-30-2006 02:23 PM     Click Here to See the Profile for witzhall     Edit/Delete Message   Reply w/Quote
You bet! And to the Amen I'll add many thanks, t-man-nc, for such clear and wise elucidation of A Plan to Protect One's Collection.

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PeterS

Posts: 33
Registered: Mar 2006

posted 09-12-2006 01:08 PM     Click Here to See the Profile for PeterS     Edit/Delete Message   Reply w/Quote
Update

Back again to tell you of the continuing saga of the tankard.

To answer your questions. I have not taken the lock off yet. I have not done anything to the tankard yet. I figure do my research first then once I know alittle bit more start to think about how I will preserve it and display it. I don't think that I would do restoration work on it, just clean it up a bit. I did ask a locksmith if they could get an extra key for me, they said they couldn't. They could pick the lock or cut it off. I don't want to carry it in to a locksmith yet, until I get mare info on it.

I got the price quote for the pictures from the Rhode Island Historical Society. They sent me an invoice for $25 dollars per picture plus a $5 handling fee. A little high for a couple of digital shots to be emailed to me, but what am I gonna do? I sent off the check for a picture of the Coat of Arms and the initials on the handle. You would think that would be simple, but they are going to send me an agreement to sign after they get the money. that I have to sign and send back. This is to assure them I will not publish the photos. It seems the fee for reproductive rights are more expensive. Do you think that would include posting a copy in this forum for your advise? I would love your opinions. I guess it will be spelled out more clearly in the agreement.

Any other advice would be nice. I don't know about the trust thing, my family is pretty interested in this now that I've done the research. It would also be nice if I can find out more about my Smith relatives. I don't know what I'll do eventually. If anyone would like to see the piece itself and give me more help on the reseach (and seem like a reputable person) and you are in the NYC area let me know.

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wev
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posted 09-12-2006 01:43 PM     Click Here to See the Profile for wev     Edit/Delete Message   Reply w/Quote
Did you ever track down a copy of Antiques vol 104: p. 998 (December 1973)? That is the first thing I would do.

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PeterS

Posts: 33
Registered: Mar 2006

posted 09-12-2006 02:10 PM     Click Here to See the Profile for PeterS     Edit/Delete Message   Reply w/Quote
That was one of the first things i did. The NY public library had a copy. The picture was about 1 inch and a side view - no picture of the engraving.

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ahwt

Posts: 707
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posted 09-12-2006 03:10 PM     Click Here to See the Profile for ahwt     Edit/Delete Message   Reply w/Quote
I am curious if it is normal for organizations like this to charge for such limited research and to restrict what one can do with the final research effort. Does anyone else have experience in this area?

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FWG

Posts: 782
Registered: Aug 2005

posted 09-12-2006 04:17 PM     Click Here to See the Profile for FWG     Edit/Delete Message   Reply w/Quote
Yes, it is normal for such organizations to charge for photos. That rate is somewhat on the high side, in my experience, but by no means the worst I've seen. From their point of view, they have to keep a photographer either on staff or on call, have a curator pull the object and replace it and complete the paperwork documenting the process, and usually will then keep the photo archived so that's it's available at a lower cost if someone asks down the road (existing photos on file are usually charged at a lower rate than new photography). All of that costs money.

There also is generally a charge for a researcher's time when you ask someone to do research for you at a remote facility. Not for simple questions, but if there's any real time expenditure involved. Some places have staff researchers; others maintain lists of local researchers who can be contracted to do research.

One should always ask permission before reproducing any image or text, including use on the internet. Most places will grant permission for free or a token charge if the use is non-commercial, but charge more for commercial use. Some just have a flat fee. Most will have a statement of attribution that must accompany reproduction.

Many research facilities now will allow researchers to take photos with their own cameras, which is a great boon with digital imaging. But you still generally must agree not to reproduce the material without permission.

Oddly enough, my experience has been that historical societies tend to be among the more difficult facilities to work with, having relatively high fees and less willingness to waive reproduction fees. It may just reflect their relatively poor funding, but it has infuriated me on more than one occasion. And really they're no worse than the major museums -- which can be next to impossible to get through the bureaucracies -- but since they feel so 'small and friendly' in casual use, you feel it more when bureaucratic policy rears its head. Libraries and small museums are often much more user-friendly....

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PeterS

Posts: 33
Registered: Mar 2006

posted 09-29-2006 12:24 PM     Click Here to See the Profile for PeterS     Edit/Delete Message   Reply w/Quote
Update
After not hearing from RIHS for a couple of weeks, and not having my check cashed, I emailed them again. While I was at it I asked if, when I get the pictures if I could post them here. I explained the nature of this forum and how helpful you all had been.

The reply was curt. Yes, we got the check. Since this is an object in the collection it will take at least 6 weeks for photos to be taken. You will get a release statement inthe mail that must be signed and returned. The pictures can not be posted at all.

I'll let you know more when I hear anything.

[This message has been edited by PeterS (edited 09-29-2006).]

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FWG

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Registered: Aug 2005

posted 09-29-2006 03:26 PM     Click Here to See the Profile for FWG     Edit/Delete Message   Reply w/Quote
I recently got a quote from an institution of $75 to produce a 300dpi scan of a regular-size photograph, and an additional $100 to post it online for more than six months - so it can get much worse. (I declined, and will try to find alternatives for those photos -- it was for a non-silver project).

Research and especially publishing are getting harder and harder, although happily one still finds many old-fashioned librarians and curators who want to see their materials used. Worst case: pray you never have to get permission from Disney....

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Ulysses Dietz
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posted 09-30-2006 12:07 PM     Click Here to See the Profile for Ulysses Dietz     Edit/Delete Message   Reply w/Quote
I hate to think what it would have cost for all the museum's pictures I've blithely posted on various threads over the years.

However, our general rule is that we will waive publication fees for non-commercial and/or scholarly publication of an image, and we are much less fussy about digital images in terms of charging for images.

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FredZ

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Registered: Jun 99

posted 09-30-2006 05:28 PM     Click Here to See the Profile for FredZ     Edit/Delete Message   Reply w/Quote
I am still rather surprized that you are not getting more help from the RIHS. I would think they would be thrilled to learn more about your tankard and it's possible association with their's. Seems monitary needs win over scholarly needs, Perhaps you could get someone who is involved with your local Historical Society to become intererested in your research. They might be better able to access the RIHS information without all the fuss.

I would not delay in removing the lock and have a respected locksmith remove it while you are there watching. Explain that you are concerned about scratches since it is a family heirloom. I might even suggest covering up the surface with masking tape to protect the surfaces. The gum residue can easily removed after the lock has been removed. curious to see what is inside and if the darts caused any damage.

Thanks for keeping us posted.

Fred

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PeterS

Posts: 33
Registered: Mar 2006

posted 11-03-2006 03:23 PM     Click Here to See the Profile for PeterS     Edit/Delete Message   Reply w/Quote
Update

I finally got the pictures from the Rhode Island Historical Society!!!

I wish I could post them, but alas I had to sign a agreement that I would not.

It is the same crest, with some minor differences. I wish I knew enough about heraldry to describe them properly. There are even differences in the initials on the handles..

First the handles. On mine ( pictured before) the initials are seperated by equal signs, on the RIHS one the BS are seperated by a sort of squiggle or possibly a fluer de lis - the SS are just like mine. The engraving looks a little cruder on the RIHS one. But the placement is exactly the same.

It is strange that the RIHS couldn'e give me better pictures than I was able to take with a fairly cheap set up. And the resolution is terrible. I also asked (and paid for) a close up of the crest and they sent a picture of the whole front of the tankard. So, when I zoom onto the crest itself it losses detail.

The crest is like mine:
same lion, same unicorn, same background bands

similar floral pattern but not exact outside of crest. slightly different shape of the shield.

I would love to show someone in the New York area the pictures for a better, more expert opinion. Is anyone available?

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swarter
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posted 11-03-2006 06:56 PM     Click Here to See the Profile for swarter     Edit/Delete Message   Reply w/Quote
My guess without seeing them would be that the two tankards might not have been made (or engraved) at the same time, and the second engraver did not have the first tankard before him to copy exactly, or that the purchaser did not specify exact duplication. Another possibility would be that, if made at the same time, each might have been given to a different engraver (two journeymen in the same shop, for example).

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Silver Lyon

Posts: 359
Registered: Oct 2004

posted 11-12-2006 01:45 PM     Click Here to See the Profile for Silver Lyon     Edit/Delete Message   Reply w/Quote
I have a feeling that there is a fine Minott tankard in the Minneapolis Institute of Arts - it should be found described in "English and American Silver in the Minneapolis Institute of Arts" published in 1989. From memory this piece is very similar to yours, and therefore the RISDE one. I am sure that the curatorial staff at MIA will be very helpful if asked!

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swarter
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posted 11-12-2006 02:25 PM     Click Here to See the Profile for swarter     Edit/Delete Message   Reply w/Quote
There is indeed - it is number 218 on pages 267-8. It is of similar appearance and dimensions (8 1/4" tall and 5 1/4" in diameter at the base), but appears more tapered than the subject of this thread, having a diameter at the lip of 4", a dimension we do not have for this one. Either the MIA example is more squat in shape, or it only appears so as a result of photographic technique resulting in an exaggerated parallax. Perhaps Peter can provide this measurement - it looks to be greater than 4" wide at the top, relative to the base (or 4 1/2, since Peter's is 1/4" larger in each dimension he measured).

Ownership of the MIA tankard was also different, being first engraved with I*R and then "Hubburd." The arms and crest are also unrelated.

[This message has been edited by Scott Martin (edited 12-13-2006).]

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PeterS

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Registered: Mar 2006

posted 12-13-2006 10:35 PM     Click Here to See the Profile for PeterS     Edit/Delete Message   Reply w/Quote
I know it is close to the holidays and everthing, but is there nobody who would look at the picture in the New York area?

Ulysses, are you at the Newark museum? is it accessable by PATH, could I make an appointment?

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outwest

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posted 01-03-2007 02:11 AM     Click Here to See the Profile for outwest     Edit/Delete Message   Reply w/Quote
Peter, Why don't you submit your tankard to the History Detectives?? It sounds like you could use some help here (I love that show).

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PeterS

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posted 03-06-2007 07:28 PM     Click Here to See the Profile for PeterS     Edit/Delete Message   Reply w/Quote
Wondering if anyone is interested in viewing either the tankard or the cann?

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Scott Martin
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posted 03-06-2007 07:47 PM     Click Here to See the Profile for Scott Martin     Edit/Delete Message   Reply w/Quote
I would. And I know at least two others in NYC area

[This message has been edited by Scott Martin (edited 03-06-2007).]

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bascall

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posted 03-06-2007 10:00 PM     Click Here to See the Profile for bascall     Edit/Delete Message   Reply w/Quote
It would be intersting to hear a little bit more about spouts on tankards. I sold a pewter tankard a few years back with a spout that just looked like it was originally meant to be part of the tankard.

Also, just out of curiosity, does anyone know if and when Samuel Minott did finally make an oath of allegiance to the United States?

[This message has been edited by bascall (edited 03-06-2007).]

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outwest

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posted 03-07-2007 12:17 AM     Click Here to See the Profile for outwest     Edit/Delete Message   Reply w/Quote
I have been following this thread for a year now. Did you EVER get any answer for anyone? Is the lock still on it?

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PeterS

Posts: 33
Registered: Mar 2006

posted 03-07-2007 03:09 AM     Click Here to See the Profile for PeterS     Edit/Delete Message   Reply w/Quote
No, the lock is still on it. The tankard and the cann are just turning a great black color. If annbody does want to see it for themselves, please contact me directly at [snip ... Sm]. I would love to have one to one contact, I'm afraid to go to someone and ask as I am naive about [snip ...SM].
[snip ... SM], but I would love to know more. [snip ...SM] I would love to know more about it. But, I've reached the limit of what I can find out on my own. I need someone respecable to verify what I have. Scott - where are you in NYC?

[This message has been edited by Scott Martin (edited 03-07-2007).]

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PeterS

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posted 03-28-2007 10:30 PM     Click Here to See the Profile for PeterS     Edit/Delete Message   Reply w/Quote
I have been busy for the last couple of weeks, sorry I have not responded earlier.

From what I know Minott was an Addressor to Hutchinson. That meant that he actively supported the royalists in the time immediately preceding the revolution. Hutchinson was the Royal Governor of Massachusetts, those Addressors singed declarations of loyalty. During the British occupation of Boston only the Loyalists and some of the poor (and a few merchants to look after property) stayed in town. When the British retreated to Halifax most of these Loyalist went with them, and eventually moved back to Britain. Minott did not leave and was able to resume practice shortly after the war. This seems very strange unless there is more to the story. He was arrested in 1776 sources cite the Massachusetts Council for that information, but I have not found out where I can get that information first hand without digging through some records in some archive or something.

In regards to the spout, I’m no expert, but it is well made. I do doubt that it is original though as the “matching” tankard at the RIHS did not have one. But, who knows?

I have contacted our fearless leader Scott and may soon get together with him. Maybe I’ll have more to report after that meeting.

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bascall

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Registered: Nov 99

posted 03-30-2007 08:32 PM     Click Here to See the Profile for bascall     Edit/Delete Message   Reply w/Quote
PeterS thank you so much for responding to my comments. Here's a book title that you might find interesting if you're able to get your hands on it: Paul Revere & The World He Lived In by Esther Forbes. There is quite a bit said in it about what life was like before, during and after the Revolutionary War for tories and patriots in Boston. My assessment from reading this book is that the tories and patriots outside of the politcal sphere were remarkably tolerant of one another.

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bascall

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posted 04-03-2007 08:48 PM     Click Here to See the Profile for bascall     Edit/Delete Message   Reply w/Quote
[QUOTE]Originally posted by bascall:
[B]It would be intersting to hear a little bit more about spouts on tankards. I sold a pewter tankard a few years back with a spout that just looked like it was originally meant to be part of the tankard.

Also, just out of curiosity, does anyone know if and when Samuel Minott did finally make an oath of allegiance to the United States?

As a possible partial answer to my own question about spouts, Francis Hill Bigelow in his book Historic Silver Of The Colonies And Its Makers says that "Many an early tankard was saved from the melting pot by adding a spout during the temperance movement. In a way this enabled the possessor to have cake and eat it too."
So the observation that the spout was a later addition to this tankard must be correct. I also read somewhere that when coffee first became popular in europe spouts were added to flagons for serving it.

[This message has been edited by bascall (edited 04-03-2007).]

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outwest

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posted 04-04-2007 01:59 AM     Click Here to See the Profile for outwest     Edit/Delete Message   Reply w/Quote
Just want to say I am very much looking forward to Scott's and your report.

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PeterS

Posts: 33
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posted 08-24-2007 07:35 PM     Click Here to See the Profile for PeterS     Edit/Delete Message   Reply w/Quote
Sorry to be out of touch. Lot of personal stuff. Anyone still interested in meeting in NYC?

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Scott Martin
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posted 08-24-2007 09:16 PM     Click Here to See the Profile for Scott Martin     Edit/Delete Message   Reply w/Quote
yup

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agleopar

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posted 08-25-2007 10:07 AM     Click Here to See the Profile for agleopar     Edit/Delete Message   Reply w/Quote
Hi Peter, that is a yes also.

If you have my info get in touch, I am on the same Monday schedual as last year, starting this coming Monday.

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bascall

Posts: 606
Registered: Nov 99

posted 04-06-2008 12:04 AM     Click Here to See the Profile for bascall     Edit/Delete Message   Reply w/Quote
quote:
Originally posted by swarter:
It is obvious that the spout was placed on the side (although that position is not unique) to avoid disturbing the coat of arms, which was thoughtful, even if the alteration was not. However, at the time it was done, it probably was not yet an heirloom piece, and provided a more practical, if awkward, use as a pitcher.

The book MARKS of Achievement: Four Centuries of American Presentation Silver
by WARREN, David B., HOWE, Katherine S. and
BROWN, Michael K. has an illustration (#89,90, cat. #54) of a tankard with spout and two canns that are very similar to the tankard and cann in this post. The pieces in the book are by Benjamin Burt and commemorate 1780 achievements of Commander John Harraden and his brigantine General Pickering. The Burt tankard's spout is a curiosity because it is difficult to imagine any alterations being done to a presentation piece such as this one.

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