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Author Topic:   How do you know what's collectible?
silbernwolf

Posts: 22
Registered: Oct 2005

iconnumber posted 11-10-2005 10:20 PM     Click Here to See the Profile for silbernwolf     Edit/Delete Message   Reply w/Quote
We collect sterling silver but also buy silver just because it's selling for less than it's bullion wt. We bought some old spoons with handles similar to the fiddle pattern that have Howard & Schierrieble's mark (1879-84) and are also stamped by jeweler, Mermod & Jaccard. They are not exceptional as they are extremely thin. I just as soon put them in our silver scrap bin but what if they have historical merit for someone else?

Also found a matching dinner fork and tablespoon in coin silver and stamped R E MURPHEY. Typical pattern of c 1860 but can't find any record of that silversmith. These are hefty and in good shape but who cares?

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adelapt

Posts: 418
Registered: May 2003

iconnumber posted 11-10-2005 11:42 PM     Click Here to See the Profile for adelapt     Edit/Delete Message   Reply w/Quote
To answer your second question first "...who cares?". I suspect the answer would be "most of the members of these forums". My individual view is that it would be a great pity to scrap items in reasonable condition after they've survived for well over a century. And for the first question - I'm sure even your thin flatware would have historical interest, after all, those makers are long gone, and what they've left will never increase in quantity.

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Dale

Posts: 2132
Registered: Nov 2002

iconnumber posted 11-11-2005 12:31 AM     Click Here to See the Profile for Dale     Edit/Delete Message   Reply w/Quote
Could you post pictures of these items?

The Mermod Jaccard ones by Howard & Schierrieble strike me as salable for more than scrap. Which should be a criteria used in deciding what to do with them. St Louis silver has some value and a following.

The Murphey is probably a jeweler's mark, not a maker. And there were a number of makers who did not put their mark on but did private labeling. A picture would be a big help. Perhaps someone will be able to name a pattern and maker.

IMHO, scraping is something that is almost never needed. Virtually any reasonably intact piece of silver is saleable for more than scrap. Please reconsider this.

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wev
Moderator

Posts: 4121
Registered: Apr 99

iconnumber posted 11-11-2005 01:14 AM     Click Here to See the Profile for wev     Edit/Delete Message   Reply w/Quote
I'm sorry if I have misunderstood, but why would anyone consider the scrap pot for such things at all? Have you no respect for their survival in the face of time's tribulations? For the maker's labour? Or is this just some veiled attempt to sell your excess goods?

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tmockait

Posts: 963
Registered: Jul 2004

iconnumber posted 11-11-2005 12:13 PM     Click Here to See the Profile for tmockait     Edit/Delete Message   Reply w/Quote
The historical value of something may not be apparent for a very long time. Remember that in the 1940s lots of people threw out rather gawdy glass lamp shades that were generally considered worthless. They had been made by a guy named Tiffany! I wonder how many of them said, "Who cares?"

Tom

[This message has been edited by tmockait (edited 11-11-2005).]

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Dale

Posts: 2132
Registered: Nov 2002

iconnumber posted 11-11-2005 12:32 PM     Click Here to See the Profile for Dale     Edit/Delete Message   Reply w/Quote
Please excuse the double posting, but I feel this is relevant here.

n my experience, most of the silver market is uninterested in design or style. What it concentrates on are three influences: mother, grandmother, motherinlaw. The typical buyer come up to a booth with a fork. She says, this was my grandmother's pattern. I would like more.

Now, it may be a really low grade of silver. It may be flimsy and thin. The lady will say then, well she was a very poor woman; this was the best she could afford. I can never see this pattern without remembering her. I want more. I want to make a set of it to pass down to my grandchildren.

The silver market, IMHO, is very much driven by sentiment and memory. What we regard as low quality is frequently seen as grandma's doing her very best in trying circumstances. Which is why I feel it is not a good practice to play grading games.

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tmockait

Posts: 963
Registered: Jul 2004

iconnumber posted 11-11-2005 10:49 PM     Click Here to See the Profile for tmockait     Edit/Delete Message   Reply w/Quote
On the note of "what's collectible," I read in today's paper that some one just spent $22,600 for one of Napoleon's teech (and, no, it did not have a silver or gold filling)!

Tom

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wev
Moderator

Posts: 4121
Registered: Apr 99

iconnumber posted 11-12-2005 12:05 AM     Click Here to See the Profile for wev     Edit/Delete Message   Reply w/Quote
I'll sell you one for half the price

. . . now where did I put those pliers. . .

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Marc

Posts: 414
Registered: Jun 2002

iconnumber posted 11-12-2005 01:24 AM     Click Here to See the Profile for Marc     Edit/Delete Message   Reply w/Quote
silbernwolf,

You collect silver, but you also buy silver that you can make money on by selling for scrap. If you NEED the profit from the scrap spoons and forks to support your collecting habit, sell it as scrap, but first try to peddle it as a piece of silver, for a bigger profit.

You can always hustle silver from dealer to dealer at a flea market or an Antiques show. I love it when a person comes up to me and asks if I mind looking at something. Holy crap yes.. I love to look at silver and educate (or bore) the uninitiated as do most of us in the silver business. Failing that, you can always sell silver for melt.

As a suggestion, you might create a second bin... for the silver that you do not want, but someone else may want.. The first bin is for the absolute scrap, broken compotes, spoons and forks worn beyond repair, etc.

Some of the pieces that end up in the reusable (second) bin can be polished and buffed and given to friends as gifts, or housewarming presents. I do it all the time.
And, you get more bang for the buck.

And, for all of us silver fans, I would recomend that you cultivate your local silver scrap dealers. You would be suprised at what you can find in what they consider junk.

All for now..

Marc

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agleopar

Posts: 850
Registered: Jun 2004

iconnumber posted 11-12-2005 07:16 AM     Click Here to See the Profile for agleopar     Edit/Delete Message   Reply w/Quote
The one exception ( and there are always exeptions to the exeption) are the cement filled or weighted candle sticks, the ones that are torn or broken. They are almost imposible to fix afordably and the last one I scraped for a friend had a total weight of 1.8 oz. (53 grams) it took 10 minutes to get the cement out for $11 of silver.

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Dale

Posts: 2132
Registered: Nov 2002

iconnumber posted 11-12-2005 11:20 PM     Click Here to See the Profile for Dale     Edit/Delete Message   Reply w/Quote
One way to find out what people collect is to set up a booth and see what they buy. It always amazes me how many ardent collectors there are for old hotel and restaurant silverplate. If you move around and do enough shows and flea markets, you can sell virtually any type of silver. One collector I knew only collected pieces with full name monograms that would be suited for a drag queen. Many people buy silver with children's names on. Some like very specific types of souvenir spoons, like small town Methodist churches. Others go by pattern or maker or style or type of piece. There's something for everyone and a person for every item.

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outwest

Posts: 390
Registered: Nov 2005

iconnumber posted 11-13-2005 12:00 AM     Click Here to See the Profile for outwest     Edit/Delete Message   Reply w/Quote
Yesterday I went to a huge Fair that is put on every year by a local retirement home for missionaries. They use the money to help support elderly missionaries who no longer have any money. The agreement is that when they die all their things will be sold at this giant flea market. Because of that every year are enormous quantities of interesting things. After all, these people lived all over the world.

This is different then a antiques market because the people who run it are volunteers and the residents themselves. ie: sometimes they do not know what they have. I got there right when it opened (along with a hoard of people). There was junk and lots and lots of treasures (which included silver, of course).
I picked up:

  • two Hummel figurines from the 1950's in perfect shape. I don't collect them, but dang! They are worth a lot more then that!
  • a huge intricate cloissenae vase which was purchased in China. I know this because it doesn't say "Made in China" or anything like that. There is a marking, but I have no idea what it says.
  • a set of two hand blown exquisite dark blue art glasses (were they NUTS?)
  • a wonderful Delft (the right Holland factory) covered sugar bowl. I still need to date it, but it looks old.
  • a set of little sterling salt and pepper shakers that were black with tarnish. When I shined them up they were beautiful. I'll add them to the others and use them this Thanksgiving. I need to pin down an age and maker on them. The same price as the ratty looking plate ones sitting next to them
  • a sterling baby cup with gold wash inside.(I also need to research the maker on this).

I looked at all the flatware and nothing caught my eye, but I don't know enough about what to look for .... yet. The person next to me snatched up a set of old looking sterling flatware with antler horn handles (I thought they were ugly).

Of course, although missionaries live interesting lives, they aren't wealthy so much of the silver was plate, but some was really pretty. I know now what EPNS and A1 means.

It was great fun. I see how come some of you like to do things like that. I saw this one fellow at every table reading labels just like I was. He obviously knew what to look for and purchased something at every table. He even flipped through the boxes of postcards. At the coins table I heard him gasp as he held a coin in his hand flipping it over and over.

I wonder what he found?

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hello

Posts: 200
Registered: Jun 2005

iconnumber posted 11-13-2005 08:02 AM     Click Here to See the Profile for hello     Edit/Delete Message   Reply w/Quote
Sounds like these old people need assistance! It seems often times that some people don't understand the value of their items, whether young or old.

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outwest

Posts: 390
Registered: Nov 2005

iconnumber posted 11-13-2005 11:17 PM     Click Here to See the Profile for outwest     Edit/Delete Message   Reply w/Quote
ooooh. Anything saying anything about money is not allowed. Got it.

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silbernwolf

Posts: 22
Registered: Oct 2005

iconnumber posted 11-14-2005 01:36 AM     Click Here to See the Profile for silbernwolf     Edit/Delete Message   Reply w/Quote
Boy, did I start a lively discussion and you all collectively managed to covered all 360 degrees of the angles. Thank you all for sharing "your 2 cents worth". I'm really loving the interaction of this Forum. There is so much to learn. Yes, we do appreciate the history which is why we picked up these pieces before the silver smelter guy hit the estate sale. But they are in such bad shape. Here are the pictures of the spoons that started this whole discussion:

Howard Sterling (H&S)& Mermod Jaccard stamp:

A.Sanborn & Lowell stamped spoon (extremely thin; note the tear from the back side; is not stamped sterling but is):

S BELL stamped spoons: thinner than Mermod set; note the break on one; is not stamped sterling but is):


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silbernwolf

Posts: 22
Registered: Oct 2005

iconnumber posted 11-14-2005 01:38 AM     Click Here to See the Profile for silbernwolf     Edit/Delete Message   Reply w/Quote
Oh, and I forgot to share the coin silver pieces by R H MURPHEY that are very hefty. The spoon is 8.5" & weighs close to 2 tr oz)

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Dale

Posts: 2132
Registered: Nov 2002

iconnumber posted 11-14-2005 01:44 AM     Click Here to See the Profile for Dale     Edit/Delete Message   Reply w/Quote
Thanks for sharing. The Murphey pieces are some sort of Olive variant. There are bunches of those. They probably can be traced to a maker.

The other pieces look grungy, but are probably salable. Am I allowed to say that? Almost any silver item is worth more than scrap if marketed correctly.

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outwest

Posts: 390
Registered: Nov 2005

iconnumber posted 11-14-2005 02:33 AM     Click Here to See the Profile for outwest     Edit/Delete Message   Reply w/Quote
Seeing your hefty coin pieces and the thin sterling ones brought up an observation and question I've had:

I have both some sterling flatwear of various types and coin flatwear in several different patterns. In every case the coin seems to have held up better through the ages (and it is older!), is far more substantial (like they didn't scrimp on the silver) and seems like more care was taken with it to make a nice piece (ie: finer decorations which include the back of the utensils). I also like the patina and color of the coin silver. It is shiny, but has a satiney quality. Does that make sense?

Has anyone else made this observation or is it just a coincidence having to do with the particular pieces I have? Or is it because coin was earlier when silver wasn't as costly and makers weren't so concerned about the amount of silver in the object?

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Scott Martin
Forum Master

Posts: 11520
Registered: Apr 93

iconnumber posted 11-14-2005 08:08 AM     Click Here to See the Profile for Scott Martin     Edit/Delete Message   Reply w/Quote
By the way. I spent my time correcting and editing your post instead of answering. H&S is not Howard Sterling.

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FWG

Posts: 845
Registered: Aug 2005

iconnumber posted 11-14-2005 10:04 AM     Click Here to See the Profile for FWG     Edit/Delete Message   Reply w/Quote
Scott is correct -- of course. H&S is Hotchkiss and Schreuder, Syracuse, NY, third-quarter 19C. They were quite a high-production manufacturer and provided goods for retailers over a huge area.

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Polly

Posts: 1970
Registered: Nov 2004

iconnumber posted 11-14-2005 08:41 PM     Click Here to See the Profile for Polly     Edit/Delete Message   Reply w/Quote
Speaking as a sentimentalist, I would be sorry to see those spoons get melted after having survived a century and a half, particularly since they can still be used for spoony activities like stirring coffee and eating yogurt. Okay, maybe headless one can't be, but the others look serviceable enough.

True, they're plain and not perhaps the height of sophisticated design, but they have the dignity of their simplicity; they would look equally nice with antique and modern china. And once they're gone, they're gone: nobody's making 150-year-old pre-mass-produced silver spoons any more.

It will never stop astonishing me that graceful, usable, handmade silver spoons from before my great grandmother was born can be worth no more than the value of the silver they're made of, and that people will spend ten times that for ugly, brand new ones with no history.

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silbernwolf

Posts: 22
Registered: Oct 2005

iconnumber posted 11-14-2005 09:38 PM     Click Here to See the Profile for silbernwolf     Edit/Delete Message   Reply w/Quote
Thanks for the correction about H&S, Scott & FWG - was on the wrong pg in Rainwater's encyclopedia.

And finally, thanks Polly, I need to read more history to appreciate these historical gems. I need to READ ALL of my reference books rather than just use them for look up.


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Marc

Posts: 414
Registered: Jun 2002

iconnumber posted 11-14-2005 10:02 PM     Click Here to See the Profile for Marc     Edit/Delete Message   Reply w/Quote
Hi again again guys (and gals),

There is a cycle of use in silver.. At the top are the high end new goods and at the bottom are the scrap piles. The really wonderful thing is that silver has value just as a chunk of metal. Can't say that about a piece of furniture.

Also, when a piece of silver gets tired, and is beyond normal salvage, like the broken spoon or the one with the big tear, they should be scrapped. Recycle the silver and recycle the money.

When a piece of silver is in servicable, but iffy condition, I throw it in my "cheap" box and put it out for the bargain hunters at shows. Folks love to plow through this box.
People love bargains!

Forks that have been worn unevenly, can have the tines dressed so they are even (although a little shorter).

Save the usable, scrap the crap. You should not keep it all.

The best as always

Marc


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asheland

Posts: 935
Registered: Nov 2003

iconnumber posted 11-15-2005 01:55 AM     Click Here to See the Profile for asheland     Edit/Delete Message   Reply w/Quote
Outwest, I know what you mean with Coin Silver holding up better. I believe there are two main reasons. First, Coin usually has a little bit more alloy, Copper, mainly. And, some of it would have been handmade (the earlier stuff) and handmade is almost always harder than machine made. Whether or not this affects the patina, I don't really know.

asheland

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