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Author Topic:   Old engravings
ahwt

Posts: 2334
Registered: Mar 2003

iconnumber posted 02-23-2010 06:05 PM     Click Here to See the Profile for ahwt     Edit/Delete Message   Reply w/Quote

The above teaspoon is in the fiddle thread pattern and is by Louis Jaccard, a St. Louis silversmith. While this is just a guess by me, the name engraved on the spoon most likely for Stephen Ridgley.

Mr. Ridgley was a successful St. Louis merchant in the 19th century and in 1889 gave $66,000 to Washington University for the building of a "fireproof library". Ridgley Hall was still the name of the library when I was at Washington University some 50 years ago and I have fond memories of walking by this building. I guess I should have gone in more often, but that is another story.

It is nice, from time to time, to make a connection with the past.

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blakstone

Posts: 493
Registered: Jul 2004

iconnumber posted 02-25-2010 12:07 AM     Click Here to See the Profile for blakstone     Edit/Delete Message   Reply w/Quote
There’s so much here that appeals to me – fiddle thread, southern (well, sort of) connection – and I completely agree with you about old engravings. They really do bring silver alive for me, making a very tangible connection with the past. I think it’s a great idea for a thread, and I’d like to add my own favorite.

These tablespoons are French, of course, with the large Paris guarantee mark in use 1819-1838 and the mark for first standard (.950) silver for the same period. The maker’s mark is only partially struck on each, but fortunately enough remains to combine the two and read the complete mark: JO, with a cross between and a star above and below. It’s the mark of Jean-François Oury, orfèvre-cuilleriste [goldsmith-spoonmaker] working at 7 passage de la Réunion, 1819-1836.

But I found these spoons here in New Orleans, and the distinctly American lengthwise engraving suggests they were imported here. And the name “Wm. Freret” certainly meant something to me.

William Freret (1804-1864) served as mayor of New Orleans in two non-consecutive terms, 1840-1842 and 1843-1844. He is generally regarded as one of the city’s best, being a sound and efficient administrator, his tenure marked by economic recovery from the Panic of 1837 and the establishment of the city’s free public school system. He later served briefly as Collector of the Port of New Orleans, but was better known for the large cotton press he operated in New Orleans’ American sector with his brother James. His son, William A. Freret (1833-1911), was a noted architect.

Many years after I bought these, a Freret descendant confirmed that they did, in fact, belong to the mayor. His estate had been split up over the generations, and apparently many of the surviving family members were peeved when some of it began popping up on the market thanks to less sentimental descendants.

A long street named after hizzoner, Freret Street (pronounced “fra-RETT” in inscrutably New Orleanian fashion) still runs the length of uptown New Orleans, slicing through both Loyola and Tulane Universities. I used to live on it, but now live all of three blocks away. How’s that for a nice connection?

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ahwt

Posts: 2334
Registered: Mar 2003

iconnumber posted 02-25-2010 09:38 AM     Click Here to See the Profile for ahwt     Edit/Delete Message   Reply w/Quote
Blakstone, that is a very Interesting story and great suggestion for a new thread about engravings on silver.

St. Louis, as you suggest, has a southern connection and at times it is strong and other times tenuous. A previous thread about a St. Louis connection was particularly interesting to my wife as she shares the same surname as the player in the story and grew up in Louisiana not far from Vicksburg, Mississippi.

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