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Author Topic:   Hallmark help, circa 1800 musical snuff box
tduncan069

Posts: 13
Registered: Aug 2018

iconnumber posted 08-13-2018 03:51 PM     Click Here to See the Profile for tduncan069     Edit/Delete Message   Reply w/Quote
Hello and I am so glad I found this wonderful forum. I collect rare early mechanical music pieces which most times are housed within sterling silver, gold and enamel cases.

I am looking for hallmark identification help regarding a musical snuff box that was crafted right around 1800 or so. I am very knowledgeable on early mechanical music pieces but not silver hallmarks and the hallmarks are different than I have seen prior. I included photos of the two hallmarks that are legible and also of the piece itself for perspective. The one mark appears to be a 16.e so maybe something related to the lothig purity standard?

Here is a closeup photo of two hallmarks

Here is a quick photo of the overall piece with the mechanical musical movement removed. I am servicing it right now.

Kind regards,

Troy Duncan, CPA, retired


[This message has been edited by tduncan069 (edited 08-13-2018).]

[This message has been edited by tduncan069 (edited 08-13-2018).]

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Scott Martin
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iconnumber posted 08-13-2018 04:34 PM     Click Here to See the Profile for Scott Martin     Edit/Delete Message   Reply w/Quote
Hello Troy,

Welcome to the Silver Salon Forums. Good job with the photos. This is a site to share with others your passion about and/or to learn about silver. We know you as a seller. Sellers are welcome, unless their participation is solely because it is really business research.

It the above business research? We hope you are here with us to share objects that are not in your sales inventory. We look forward to seeing more of what might be in your non-sales or sold inventory.

Please tell us about what you hope to share and learn.

Thanks and welcome to the SSF

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tduncan069

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iconnumber posted 08-13-2018 04:41 PM     Click Here to See the Profile for tduncan069     Edit/Delete Message   Reply w/Quote
I am actually a collector. I retired eight years ago (was formerly an executive and full equity partner with one of the global accounting/consulting firms). I enjoy these pieces so much, that I do share my knowledge with other collectors and often times help others repair or restore a piece. I do sell pieces as well but not to "pay the bills" - it is purely an enjoyable hobby that allows me to acquire very fine pieces without dipping into savings. The piece in this photo, like much of what I own, is in my personal collection and although I know the approximate age based on the engineering design of the movement, I would really like to know more about the casemaker (aka the hallmarks).

Kind regards,

Troy Duncan, CPA, retired

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Scott Martin
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iconnumber posted 08-13-2018 06:21 PM     Click Here to See the Profile for Scott Martin     Edit/Delete Message   Reply w/Quote
I just got off the phone with Troy. He has some interesting things to share. In just the few minutes that we spoke I learned a lot.

I don't recognize these marks. I am hoping someone does.

Troy is going to try and get clearer/closer photos. There are other marks, which he says are hard to photograph. One sounds like it may be "30".

Troy if you make a video of the box I'll be glad to mount it on our server and add it to this thread. I'm sure everyone would like to hear/see it play.

I think this might take some time...I'm looking forward to the outcome.

Troy I am really looking forward to what else you have to share.

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dragonflywink

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iconnumber posted 08-13-2018 07:44 PM     Click Here to See the Profile for dragonflywink     Edit/Delete Message   Reply w/Quote
Don't have time to dig around right now, but am 99% sure that those are old French silverplate marks (the square mark should contain the maker's initials, symbol, and the word 'DOUBLE') - if I recall correctly, put into use right around 1800...

~Cheryl

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Scott Martin
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iconnumber posted 08-13-2018 07:48 PM     Click Here to See the Profile for Scott Martin     Edit/Delete Message   Reply w/Quote
Thanks Cheryl.

An edited look at the marks:

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Kimo

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iconnumber posted 08-13-2018 07:51 PM     Click Here to See the Profile for Kimo     Edit/Delete Message   Reply w/Quote
I do not know the answer. Do you know where the mechanism was made? Perhaps that might give a clue.

My initial thought is these do not appear to be hallmarks or even solid silver markings but possibly silver plate marks which were all over the map in terms of what a maker might stamp on such wares. I may be mistaken, but this is my first impression. The Sheffield style of silver plating started around 1770 and was a method where two very thin sheets of silver were compressed around a central thicker layer of copper or similar metal to make a three layer sandwich that has the look and feel of solid silver. There were few rules in most countries on markings of such non-solid silver so makers were free to mark them in whatever way they liked and I am not sure there are many records today on silver plated wares compared to the large amount of records on markings on solid silver wares.

I cannot make out the box with three rows and letters and symbols but my guess is that would refer to the maker, or possibly the retailer. The possible 16.d or e marking looks like a 16.d marking to my eye on my computer screen. The only wild guess I have on what that may mean is 16 pennyweight. The d might refer to the denarious which was the Roman silver penny. There are 18.23 pennyweights of silver in 1 ounce of pure silver so that might be either a silver standard for solid silver if that is what this is, or a reference to the amount of silver used in plating a set number of these boxes or the amount of silver plating used in making a set amount of silver plated metal that would be the stock used for metal to be cut out of the larger sheet and soldered together to make these little cases.

I look forward to hearing from anyone who knows for sure what these markings are, or just hearing ideas of what they might be.

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Scott Martin
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iconnumber posted 08-13-2018 07:59 PM     Click Here to See the Profile for Scott Martin     Edit/Delete Message   Reply w/Quote
If Cheryl's right (she's rarely wrong wink) the 16 may be a mark for 16 grams of silver

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dragonflywink

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iconnumber posted 08-13-2018 08:19 PM     Click Here to See the Profile for dragonflywink     Edit/Delete Message   Reply w/Quote
The other mark is '16.E", it should indicate the quality of the plating, but darned if I can remember what 'E' stands for...

~Cheryl

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tduncan069

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iconnumber posted 08-13-2018 08:39 PM     Click Here to See the Profile for tduncan069     Edit/Delete Message   Reply w/Quote
Cheryl, the words in the square do read "double" from what I can tell.and the top two letters flanking the symbol appear to LB.
quote:
Originally posted by dragonflywink:
Don't have time to dig around right now, but am 99% sure that those are old French silverplate marks (the square mark should contain the maker's initials, symbol, and the word 'DOUBLE') - if I recall correctly, put into use right around 1800...

~Cheryl


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tduncan069

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iconnumber posted 08-13-2018 09:17 PM     Click Here to See the Profile for tduncan069     Edit/Delete Message   Reply w/Quote
One additional question Cheryl - the case is gold gilt so would they have silverplated a piece and then gold plated it?
I ask because typically on these antique musical snuff boxes, the case is gold gilt over true sterling silver.
quote:
Originally posted by dragonflywink:
The other mark is '16.E", it should indicate the quality of the plating, but darned if I can remember what 'E' stands for...

~Cheryl


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tduncan069

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iconnumber posted 08-13-2018 09:19 PM     Click Here to See the Profile for tduncan069     Edit/Delete Message   Reply w/Quote
Most of the early musical mechanisms were Swiss or French and most were never marked by the maker. In general terms, this style musical movement was used between 1802 and 1810.
quote:
Originally posted by Kimo:
I do not know the answer. Do you know where the mechanism was made? Perhaps that might give a clue.

My initial thought is these do not appear to be hallmarks or even solid silver markings but possibly silver plate marks which were all over the map in terms of what a maker might stamp on such wares. I may be mistaken, but this is my first impression. The Sheffield style of silver plating started around 1770 and was a method where two very thin sheets of silver were compressed around a central thicker layer of copper or similar metal to make a three layer sandwich that has the look and feel of solid silver. There were few rules in most countries on markings of such non-solid silver so makers were free to mark them in whatever way they liked and I am not sure there are many records today on silver plated wares compared to the large amount of records on markings on solid silver wares.

I cannot make out the box with three rows and letters and symbols but my guess is that would refer to the maker, or possibly the retailer. The possible 16.d or e marking looks like a 16.d marking to my eye on my computer screen. The only wild guess I have on what that may mean is 16 pennyweight. The d might refer to the denarious which was the Roman silver penny. There are 18.23 pennyweights of silver in 1 ounce of pure silver so that might be either a silver standard for solid silver if that is what this is, or a reference to the amount of silver used in plating a set number of these boxes or the amount of silver plating used in making a set amount of silver plated metal that would be the stock used for metal to be cut out of the larger sheet and soldered together to make these little cases.

I look forward to hearing from anyone who knows for sure what these markings are, or just hearing ideas of what they might be.


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dragonflywink

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iconnumber posted 08-13-2018 09:41 PM     Click Here to See the Profile for dragonflywink     Edit/Delete Message   Reply w/Quote
My eyesight is poor these days, but felt sure it was - have seen the 'DOUBLE' on two lines like this, as well as on a single line within the square.

From the 1899 'Markham's Hand Book to French Hall Marks on Gold and Silver Plate' (the info pertaining to these marks starts about halfway through the paragraph):

Naturally, when they were referring to 'plated goods', since it was too early for electroplate, it would have been fused plate (OSP) or close plate. Whenever I've seen these marks on pieces showing wear, it's been down to copper, indicating fused plate - fused plate was worked like solid silver, so if gilt, it would have been after production...

~Cheryl

[This message has been edited by dragonflywink (edited 08-13-2018).]

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tduncan069

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iconnumber posted 08-13-2018 10:05 PM     Click Here to See the Profile for tduncan069     Edit/Delete Message   Reply w/Quote
Wonderful information Cheryl - thank you. The interior of the snuff box, where the musical movement is mounted, definitely has steel plates to reinforce the integrity of the musical works, on/off levers, etc. I have yet to see any silver plated cases as these musical snuff boxes were extremely expensive in the early 1800s (crazy expensive) and some were solid 18k gold - this one is not solid 18k gold. Here is something to think about as the reference material indicated this standard was used for both silver and gold plating. By chance do these strange hallmarks indicate a 24k (assuming the 16 Lothig purity standard) gold plating over the solid silver panels that encase the steel inner works? I am just thinking outside of the box and trying to learn from those more knowledgeable than I regarding silver. I have never seen a silver plated musical snuff box and I have owned many but that does not mean that this one could be the first. This is so much fun - I appreciate the robust dialogue. Kind regards, Troy Duncan.

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dragonflywink

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iconnumber posted 08-13-2018 10:49 PM     Click Here to See the Profile for dragonflywink     Edit/Delete Message   Reply w/Quote
The '16' has nothing to do with lothige, which is not something you'd see on a French piece anyway, the number would refer to the thickness of the silver layer rather than the fineness - will say the '16' would indicate heavy plating, '10' is much more common paired with the 'DOUBLE' mark. Perhaps it's my monitor, but it looks more like silver gilt than rolled gold (though I suppose worn gold over silver would look similar), I've never seen the marks on gold plate, but I tend to focus on silver. Fused plate/ Old Sheffield Plate is quite collectable in its own right.

Hopefully, someone with more knowledge will check in...

~Cheryl

[This message has been edited by dragonflywink (edited 08-13-2018).]

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tduncan069

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iconnumber posted 08-13-2018 11:02 PM     Click Here to See the Profile for tduncan069     Edit/Delete Message   Reply w/Quote
Thank you for the honest and straight forward comments Cheryl. If this were a standard solid sterling silver snuff box, this would be worth around $xxx to $xxx or so. Being musical, regardless of the case content, raises the value to around $x,xxx - purely driven by the musical functionality. I was honestly trying to learn more about the silver history, hallmarks, etc. of the piece as the history and process is amazing and you helped with that - thank you. This has been an enjoyable learning experience.

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dragonflywink

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iconnumber posted 08-13-2018 11:06 PM     Click Here to See the Profile for dragonflywink     Edit/Delete Message   Reply w/Quote
It's very interesting, hopefully you will be able to do a video so we can hear it...

~Cheryl

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tduncan069

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iconnumber posted 08-13-2018 11:24 PM     Click Here to See the Profile for tduncan069     Edit/Delete Message   Reply w/Quote
Antique (circa 1817) sectional comb music box

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Scott Martin
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iconnumber posted 08-13-2018 11:39 PM     Click Here to See the Profile for Scott Martin     Edit/Delete Message   Reply w/Quote
I'm sorry. I corrected my typo. eek

Note: Most browsers let you double click image to watch it full screen. Or click the full screen icon in the lower right of the video

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asheland

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iconnumber posted 08-14-2018 11:07 AM     Click Here to See the Profile for asheland     Edit/Delete Message   Reply w/Quote
Welcome to the forums Troy!

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dragonflywink

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iconnumber posted 08-14-2018 02:05 PM     Click Here to See the Profile for dragonflywink     Edit/Delete Message   Reply w/Quote
Lovely sound, and a nice narration too!

~Cheryl

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tduncan069

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iconnumber posted 08-14-2018 02:23 PM     Click Here to See the Profile for tduncan069     Edit/Delete Message   Reply w/Quote
Thank you. I love antique sterling silver pieces but they must be musical or have some type of automaton/mechanical aspect to them. That being said, my wife and I do enjoy setting a nice table with sterling silver, Waterford crystal and china. The kids today do not seem to appreciate these things much but we sure do.

You should check out my second post The longevity of sterling silver (case example) as it delves into more of the interesting sterling silver history of a piece that originally dates to the Napoleanic wars and the hallmarks support the story.

Thanks again for your insight Cheryl.

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Kimo

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iconnumber posted 08-15-2018 03:45 PM     Click Here to See the Profile for Kimo     Edit/Delete Message   Reply w/Quote
Something to keep in mind concerning solid silver vs. silver plate objects - yes solid silver is usually the standard used by higher end items, but the value of the silver itself in terms of bullion, back then and even now today, is not especially high, compared to gold or platinum. I think higher end items used silver more for its ability to be more finely worked by jewelers but silver plate was also able to be pretty finely worked as well. And the surface layers of that style of silver plate - thin solid silver sheets pressure welded to a copper core - was silver and so it looks like solid silver. Silver plate was a little less costly than solid silver but I think that marketing something as solid silver may have been a bit more at play in higher end objects than what would have been a somewhat modest difference in the actual metal used. As for beauty and craftsmanship, I have seen many silver plate ojects that exceed the beauty and skill of more than a few solid silver objects. And as for rarity, it sounds like a plate example might be far rarer than a solid silver example. Just something to think about.

[This message has been edited by Kimo (edited 08-15-2018).]

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tduncan069

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iconnumber posted 08-15-2018 03:58 PM     Click Here to See the Profile for tduncan069     Edit/Delete Message   Reply w/Quote
I appreciate your thoughts - thank you. I gather that I am not supposed to discuss values on this forum so I need to use vague language to be forum respectful. The value of a "musical" snuff box was approximately 10 to 20 times the value of a standard silver snuff box so for a maker to skimp on materials on such a high priced item does not make economic or market sense. The interior layer would have been steel reinforced purely from an engineering design perspective. Of interesting note, I do believe my "layman's theory" of the DOUBLE 16 E mark representing gold gilt (possibly fire gilt) may be correct. I found an identical musical snuff box in the UK that bears the same DOUBLE and 16 E marks along with French assay marks for pure sterling silver. There are hallmarks on my piece that are no longer legible which is why I did not upload a photo.

My gut feeling is that the 16.E mark is for gold plate; I could be wrong but why would an identical box bear marks for sterling silver along with the DOUBLE and 16E?

I would think/hope someone out there has seen the DOUBLE and 16.E marks before as I found an example currently for sale in the UK bearing the same. I do not plan to sell this piece and am simply interested in learning more about the hallmark history as it appears to be rather obtuse.

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tduncan069

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iconnumber posted 08-15-2018 04:27 PM     Click Here to See the Profile for tduncan069     Edit/Delete Message   Reply w/Quote
I do believe my "layman's theory" of the DOUBLE 16 E mark representing gold gilt (possibly fire gilt) may be correct. I found an identical musical snuff box in the UK that bears the same DOUBLE and 16 E marks along with French assay marks for pure sterling silver. There are hallmarks on my piece that are no longer legible which is why I did not upload a photo.
My gut feeling is that the 16.E mark is for gold plate; I could be wrong but why would an identical box bear marks for sterling silver along with the DOUBLE and 16E?

It would be fun to identify what the 16.E represents as there is nothing online discussing this mark. A fun historical mystery by chance?

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Scott Martin
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iconnumber posted 08-15-2018 05:33 PM     Click Here to See the Profile for Scott Martin     Edit/Delete Message   Reply w/Quote
The engine turning is different (I like yours more):

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Scott Martin
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iconnumber posted 08-15-2018 06:14 PM     Click Here to See the Profile for Scott Martin     Edit/Delete Message   Reply w/Quote
Here's another similar box marked "K18"

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Scott Martin
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iconnumber posted 08-15-2018 08:48 PM     Click Here to See the Profile for Scott Martin     Edit/Delete Message   Reply w/Quote
What do you think?

Closer inspection suggest they are 3 differently made boxes:

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tduncan069

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iconnumber posted 08-15-2018 08:55 PM     Click Here to See the Profile for tduncan069     Edit/Delete Message   Reply w/Quote
The third box is not musical. The first and second box definitely have slightly different engraving which is very common - even front the same maker. I focus heavily on early singing bird boxes and every one, all from the same maker "Charles Bruguier" is unique - meaning different engraving.

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Scott Martin
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iconnumber posted 08-15-2018 09:38 PM     Click Here to See the Profile for Scott Martin     Edit/Delete Message   Reply w/Quote
The sharing of your experience is greatly appreciated.

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Kimo

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iconnumber posted 08-16-2018 04:19 PM     Click Here to See the Profile for Kimo     Edit/Delete Message   Reply w/Quote
Hi Troy. Thanks for the photo of your similar but different second music box. Your theory about the 16.E having something to do with gold plating or gilding in interesting and possible, but I have not seen such a reference in any of the works on silver that I have read. It will be interesting to see if someone comes along here with some more specific information.

As for the French sterling marks, the standard (rooster) is correct for a sterling object made between 1809 and 1819, and the guarantee mark (head) is also correct for that date range on something that was considered of a middle size, such as this little box. However, the lack of these markings on the first box is a concern unless you can worn examples of these markings on the first box and are not showing up in the photos? If they are not there I would not immediately decide that the marks on the one similar but different second box are proof for the first box. They are suggestive, but one cannot say for sure. If you wanted to be positive, there are non-destructive tests that can be undertaken on the metal - the first being a specific gravity measurement that involves dipping it in water and weighing it in water and out of water. The second non-destructive test would be using Energy Dispersive X-Ray Fluorescence (ED-XRF). Some high end jewelery stores have ED-XRF testers for precious metals that can tell what a metal is throughout the metal and tell you if something is plated or solid silver. Please do not let anyone undertake an acid test or a scratch test on it Acid tests put a drop of acid on the silver and the acid turns colors, Scratch tests are where you rub the metal on a special ceramic or stone plate to rub off some of the metal onto the plate and then drop acid on that. These last two tests using acids are destructive and will only tell you what metal is on the surface so if it is plated it will tell you the surface is silver which you would already know if it were either plated or solid.

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dragonflywink

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iconnumber posted 08-18-2018 12:40 AM     Click Here to See the Profile for dragonflywink     Edit/Delete Message   Reply w/Quote
Bit tired at the moment, so please forgive any wonkiness, just posting some thoughts along with some bits and pieces, and please consider that while I have some basic insight, I am not particularly knowledgeable concerning French silver and gold.

The book excerpt I posted on French plating marks clearly states that plated goods will have "numerals indicating the quantity of gold or silver it contains", so one could assume that these marks were used on gold plated as well as silver plated wares, and at that time (pre electroplating), it would be referring to either fused or close plate (the latter much less likely). Fire-gilding would have been the method used for gilt silver at that time and don't believe it would have been considered 'plated'.

There was and still is fused gold plate, commonly referred to as 'rolled gold' (and later 'gold filled'), due to the process of rolling out the fused metals, and while it was more often done with copper or brass, sterling silver could certainly be used as the core. Given the other piece you show, believe yours is indeed most likely gold on silver fused plate. Will say that while you did mention that you were posting "the two hallmarks that are legible", it's generally a good idea to post pics of all marks found even if they are unclear, they are sometimes more clear on magnification, French hallmarks are also usually pretty consistent, so a comparison of shape and size to clear marks could be done, or different eyes might be able to see something you don't (and sometimes they're just hopeless, but it's worth a try).

Nice that French fused plate was marked, and I finally had a bit of time to poke through my files, and found the meaning of the '.E', and actually, the higher the number, the less precious metal, so the layer of gold should be a bit thinner than the silver on typically found '10.E' plate. Old Sheffield Plate was usually anywhere from 8-12 ounces of sterling silver to 8 pounds of copper (some later fused plate was also done with silver on German/nickel silver), I'm not enough of a mathematician to figure how they compare...

This is from Bradbury's 'History of Old Sheffield Plate' (1912):

From Okie's 'Old Silver and Old Sheffield Plate' (1928):

And this little clip from a Sheffield plater in the catalogue for The Great Exhibition in 1851 London describes a display and gives a basic description of fused plate production, including the use of gold (the firm used German silver base with silver, so apparently, like on the early fused plate, did only two layers rather than a 'sandwich'):

~Cheryl

[This message has been edited by dragonflywink (edited 08-18-2018).]

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June Martin
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iconnumber posted 08-18-2018 11:59 AM     Click Here to See the Profile for June Martin     Edit/Delete Message   Reply w/Quote
Just watched the video - lovely and so interesting!

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