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Author Topic:   Need help identifying hallmarks
sletc9

Posts: 6
Registered: Dec 2004

iconnumber posted 01-18-2005 09:29 AM     Click Here to See the Profile for sletc9     Edit/Delete Message   Reply w/Quote
[01-2105]

Hello,

I have a spoon and fork that I'm trying to identify.

These are engraved on the back with "David Sept.6,1868"

Also on the front of both pieces there is a mark at the end of the handle before it goes into the spoon and fork part. This mark is different on each piece and is barely discernible by the naked eye. On the spoon it appears to be a cricket, and on the fork it looks almost like ants. These marks have nothing to do with the rest of the pattern. I wish I could get a better picture. Anyway these pieces have really sparked my curiosity so any information would be greatly appreciated.

Thank you,
sletc9.


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nihontochicken

Posts: 289
Registered: May 2003

iconnumber posted 01-18-2005 05:29 PM     Click Here to See the Profile for nihontochicken     Edit/Delete Message   Reply w/Quote
Nice pieces! They are French. The Minerva head stamp indicates the silver fineness. If in a barrel-shape border with a "2" in the LRH corner, then they are .800 fine; if in an octagonal border with a "1" toward the upper right, then they are .950 fine. The insect stamps on the other side are bigorne counterstamps to verify the the Minerva stamp; they should be directly opposite the Minerva stamp (are in fact made on the same blow as the Minerva stamp as the stem is "sandwiched" between the two dies). The lozenge stamp is the makers mark. Alas, I don't have a listing of French makers. Hopefully someone with more extensive resources will chime in.

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blakstone

Posts: 493
Registered: Jul 2004

iconnumber posted 01-18-2005 07:12 PM     Click Here to See the Profile for blakstone     Edit/Delete Message   Reply w/Quote
I agree; very nice. Stylistically the date engraved (1868) looks absolutely right; wonderful Second Empire decoration. I suspect, given both the detail on the bowl/tines and inscription, it is a christening set rather than part of a service.

The only Parisian maker of the period with the initials "IT" was Isaac Tiller (registered 1863) but this is not his mark. (He was only a repairman from what I gather anyway.) There are two possibilities: 1) that you have misread the mark (though your representation of them seems quite good!) or 2) the piece is Provincial, not Parisian.

You can tell the difference by the Minerva's head mark identified by nihontochicken. On Parisian items, there is nothing at all under her chin. On Provincial items, there is a distinctive mint-mark unique to the office where the piece was assayed. This mark is often very cryptic (a foreign letter, astronomical symbol), but at the very least if some peculiar mark is there, then it indicates a Provincial origin. If you can make out the symbol, the assay office and possibly maker can be identified.

NB: The above placement of the provinical assay office mark - the "différent" as it is called, applies only to the first standard mark (which the octagonal outline here seems to indicate.) On second standard, the différent and standard number are reversed; i.e. the 2 below her chin and the différent in front of her forehead (and again, no différent at all for Paris).

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sletc9

Posts: 6
Registered: Dec 2004

iconnumber posted 01-19-2005 11:37 AM     Click Here to See the Profile for sletc9     Edit/Delete Message   Reply w/Quote
Wow,How interesting! Thank you so much.Those insect marks really had me stumped.Someone sujested that mark was made by mistake when the assay mark was struck and it really wasn't anything,but I could'nt believe that so much care was taken in the detailed engraving to have that happen.Again thank you,Sletc9

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sletc9

Posts: 6
Registered: Dec 2004

iconnumber posted 01-19-2005 11:59 AM     Click Here to See the Profile for sletc9     Edit/Delete Message   Reply w/Quote
I took a closer look at the Minerva head stamp and I can't see anything under her chin but there seems to be a 1 opposite her forehead.I hope this helps.

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Kayvee

Posts: 204
Registered: Oct 2004

iconnumber posted 01-19-2005 03:37 PM     Click Here to See the Profile for Kayvee     Edit/Delete Message   Reply w/Quote
Indeed a lovely set. Although we might suppose that all French babies are born knowing how to eat exotic foods, I don’t think these items were intended as a Christening set originally. Although the inscription, in English, indicates that it might have been given to a child, in France it would be called a “couvert à entremet” or dessert set, the tines of the fork being too long (and dangerous) to be used by a small child. Often the bowls of the spoon and fork are ornamented in dessert sets, as these are. The length of a dessert set is usually between 16 and 17 cm. You might never discover who made your item, but can quite safely assume that it is French .950 silver standard, higher than .925 sterling standard, and dates from the last half of the 19th C.

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blakstone

Posts: 493
Registered: Jul 2004

iconnumber posted 01-19-2005 08:13 PM     Click Here to See the Profile for blakstone     Edit/Delete Message   Reply w/Quote
Kayvee is of course correct in everything she says about dessert sets, but with the inscription, my money is still on a Christening set. Not all Christening sets were “child size”; in fact, in my experience, I’d say most 19th century sets were not. I’ve come across countless sets such as these, British, French, German, American, sometimes cased, sometimes not, but always identifiable by the inscription (often more specific than here) leaving no doubt as to their original presentation as a baptismal gift.

The tradition of giving a spoon or place setting as a Christening gift came from the 19th Century notion that, in centuries past, the only silver a person of modest means would ever own was an individual place setting that he or she would use his or her entire life, and that it was given at birth. However true or false this romantic notion may have been, for this reason 19th century “adult size” Christening sets were not at all uncommon – they had to last a lifetime. Of course, this was pure Victorian romanticism even then; the presenter harbored no illusion that recipient would use the set as his sole eating utensils for the rest of his life. (Frankly, that is another reason I think this is a Christening set. Since these sets were mostly symbolic - used neither used to feed the child nor in the place of ordinary cutlery as an adult - they tended to just stay in their box as a showy memento and, consequently, generally survive in very good condition, as this one has.)

Still, given that both French Christening and dessert sets were richly ornamented and that 19th century French place settings tended to be quite large, there’s really no way to tell. At the end of the day, it’s a fork and a spoon; all else is speculation.

As for the maker, since Minerva mark appears to be Parisian, I did some more checking. “I” is a very rare initial for a French first name; of the nearly 4,000 maker’s marks registered in Paris between 1838 & 1875, only 17 begin with “I”. So, on a hunch (and fairly certain I’d seen this mark before) I looked a little more. Is there any chance that the mark is “HT” rather than “IT”? If so, I’m pretty sure it’s the mark of the prolific flatware maker Hippolyte Thomas of Paris. His mark was “HT, with a rosebud above and a star below” first registered in 1845, renewed in 1847 & 1850. His mark was renewed again in 1855 with the same design, but the rosebud – which had looked like one in his previous marks – now looked more like a chili pepper. In other words, just like your illustration, if the “I” is really an “H”. If you like, I can scan the mark and post it for comparison.

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sletc9

Posts: 6
Registered: Dec 2004

iconnumber posted 01-20-2005 06:25 AM     Click Here to See the Profile for sletc9     Edit/Delete Message   Reply w/Quote
Thank you blakstone,yes a comparison might help.It's possible that it could be an H.The problem is on the spoon only half the mark was stamped and the fork a corner of the diamond is missing.So the first letter may not be complete.

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dragonflywink

Posts: 993
Registered: Dec 2002

iconnumber posted 01-20-2005 12:31 PM     Click Here to See the Profile for dragonflywink     Edit/Delete Message   Reply w/Quote
Once again, blakstone has cleared up my confusion. For years I've owned what has come to be known as "the mutant Viking baby set" (can't even describe the awful visions of gigantic helmet wearing, fur-clad babies). It consists of a large bowled spoon and long-tined fork, each about 7" long, showing the Danish warrior Queen Thyra, and both boldly engraved "Baby 1913". Quite a bit later than the pieces being discussed, but perhaps the tradition carried on in at least one family.

Cheryl ;o)

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blakstone

Posts: 493
Registered: Jul 2004

iconnumber posted 01-20-2005 03:56 PM     Click Here to See the Profile for blakstone     Edit/Delete Message   Reply w/Quote
The tradition did indeed continue into the 20th Century. Napkin rings (given their original use to distinguish individual family members' used, but not yet soiled, cloth napkins) were, as "lifetime use" items, similarly popular Christening gifts.

I remember a beautiful 19th French set of a timbale (tumbler) and napkin ring, exquisitely fluted and gilt, in a case marked "Bébé" (Awww . . .) And an Edwardian napkin ring, egg cup and egg spoon set had me totally puzzled for some time until an older lady explained to me that coddled eggs were traditional baby fodder of the time.

Not forgetting the scan of the maker's mark (which may take a day or two), but in the meantime, it might be fun to hear about other weird Christening gifts. Anybody?

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blakstone

Posts: 493
Registered: Jul 2004

iconnumber posted 01-21-2005 11:35 AM     Click Here to See the Profile for blakstone     Edit/Delete Message   Reply w/Quote
O.K., here is the mark of Hippolyte Thomas, registered 1855. As I say, he had a slightly different mark before this, but both your drawing and the date on your set lead me to believe that if it is his mark, it is this one. There is no cancellation date for this mark, but I don't think 1868 is that much of a stretch, especially considering that the inscription date doesn't preclude the set from having been made a little earlier than that.

What do you think?

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sletc9

Posts: 6
Registered: Dec 2004

iconnumber posted 01-21-2005 02:07 PM     Click Here to See the Profile for sletc9     Edit/Delete Message   Reply w/Quote
Hey, By golly I think you got it! As I mentioned before on the one piece half of the mark was missing and the other was missing a quarter of it.So it was a guessing game as to what that letter was.Thank you blakstone!Now one more thing if I may?The bigorne counterstamps,why is the one on the spoon different than that of the fork? sletc9

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blakstone

Posts: 493
Registered: Jul 2004

iconnumber posted 01-21-2005 02:56 PM     Click Here to See the Profile for blakstone     Edit/Delete Message   Reply w/Quote
They look different because they were placed on different spots on the bigorne. Each row of the bigorne is engraved with a different insect; thus making the possible variations in the countermark virtually limitless. It is precisely because of this that it is such an effective anti-counterfeiting measure; identical countermarks on pieces would immediately arouse suspicion.

An illustration of a bigorne (Small French cup - Part 1) was posted recently at the end of a very long thread involving, coincidentally, what is probably a fake bigorne mark.

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sletc9

Posts: 6
Registered: Dec 2004

iconnumber posted 01-21-2005 08:33 PM     Click Here to See the Profile for sletc9     Edit/Delete Message   Reply w/Quote
I want to thank you all for your time and experitse in helping me solve my mystery!

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