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tline3open  George 2nd Coffee Pot. Maker is ???

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Author Topic:   George 2nd Coffee Pot. Maker is ???
Marc

Posts: 414
Registered: Jun 2002

iconnumber posted 01-07-2009 04:51 PM     Click Here to See the Profile for Marc     Edit/Delete Message   Reply w/Quote
Hi all,

I recently purchased this 1735 George II London marked coffee pot and have been trying to find out who the maker was. I have been through Jackson (not Grimwade, but Grimwade is on order) from 1710 on and have not found any mark even close. Perhaps, I have the mark posted upside down,, like I have done before, but I do not think so. The pot is 8.5" tall. There are no coat of arms or any engraving, nor signs of removals on the body.

Also, it is nice to see scratch marks on the bottom showing the piece weighed 24 oz, 16 dwt. That is 24.8 troy oz. The current weight of the piece is 24.55 troy oz.. A difference of 1/4 oz or 7.7 grams. Not much lost in 274 years.!

The marks on the rim of the lid ( quality mark and makers mark) are worn to the point of being unreadable.

Thanks for your help.

Marc


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agphile

Posts: 798
Registered: Apr 2008

iconnumber posted 01-07-2009 06:09 PM     Click Here to See the Profile for agphile     Edit/Delete Message   Reply w/Quote
Nice coffee pot. Mark might be that of John Pero entered in 1732. His mark is IP with a pellet between, a crown above and a device below, all in a shaped punch similar to yours, but I can't make sense of the squiggle between the I and the P where there should be a pellet.

If it is Pero, Grimwade describes his work as rare and of a high standard.

Pero was a Huguenot, apprenticed to Thos Farren, free 1717 and probably dead by 1 May 1740 when Isobel Pero, presumably his widow, entered a mark.

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Marc

Posts: 414
Registered: Jun 2002

iconnumber posted 01-07-2009 09:33 PM     Click Here to See the Profile for Marc     Edit/Delete Message   Reply w/Quote
Agphile,

That is one of the 2 marks I circled in Jackson as being most likely, but I was not sure of the first letter.

Thanks much.

Marc

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adelapt

Posts: 418
Registered: May 2003

iconnumber posted 01-08-2009 04:17 PM     Click Here to See the Profile for adelapt     Edit/Delete Message   Reply w/Quote
Marc,
food for thought.... Could the unusual "squiggle" pointed out by agphile be an indication that Pero was overstriking the mark of another maker?

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argentum1

Posts: 602
Registered: Apr 2004

iconnumber posted 01-08-2009 11:39 PM     Click Here to See the Profile for argentum1     Edit/Delete Message   Reply w/Quote
Just a note to say "very nice looking pot". Curious as to where it was found.

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agphile

Posts: 798
Registered: Apr 2008

iconnumber posted 01-09-2009 07:05 AM     Click Here to See the Profile for agphile     Edit/Delete Message   Reply w/Quote
Just a bit more on the mark. When your Grimwade arrives you'll be able to compare the size of the punch and the spacing of the letters. The letter I in the Grimwade impression looks rather like a figure 1, as does what I read as I in your mark. The squiggle may be the sign of an over-strike, or it may be a distortion caused by wear and the odd ding or scratch - easier to judge looking at the piece itself.

Whether I've got the mark right or not, the coffee pot looks like a good find.

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Marc

Posts: 414
Registered: Jun 2002

iconnumber posted 01-09-2009 11:53 AM     Click Here to See the Profile for Marc     Edit/Delete Message   Reply w/Quote
Hi Argentum1,

Thanks for the question.

This coffee pot came from a consignment shop I get calls from on a regular basis. I get calls from all sorts of businesses when they get or see silver because I pay retainers to call me first.

Anyhow, when I got to the shop, the owner took me to the back where a large pile of silver, already priced, sat under a sheet. There were about 25 lots to look through, and my first impression was that the prices were about 30% higher than I wanted to pay. I saw the pot with a $95.price on it , and thought 'Ellis-Barker' or 'Elkington' electroplate, and went on to look at an Italian gravy boat, and the "Revere" style bowls, and a set of flatware.

Now,.. I do not like to leave Bill's shop without buying something, so I asked Bill if there was any room in the prices... He said no, the prices had been set by the appraiser, and the attorney handling the estate, said let the prices stand. I thought that there should be something there to buy, so I started going through the pile again. This time, I took a second look at the pot and a first look at the marks, and Hanau silver from the 1890's came to mind. The makers mark does resemble the German marks when viewed without my glasses. I pulled them on and upon close examination, the British sterling hallmarks stood out. Now, a "V" date letter is unusual, so I got excited. I was going to buy that pot. There was other British silver in the estate that was correctly identified, but the wear and the spacing of the pot's marks made him (the appraiser) think "electo-platers' pseudos", and he priced it as such.

Since Bill charges 45% to his consigners, I decided that I would take the entire grouping, (high prices and all) and give him another $500,. finders fees. This gave him a large instant profit, made the estate attorney happy that the merch had sold, and gave me a project. What fun!


As an aside, It has been over 10 years since I used the book, (The Price Guide to Antique Silver, Peter Waldren), and I never used it for prices since they were out of date when the book was published many years ago (1982), but the amount of killer information on evolution of design, fakes, repairs, and hallmarks makes this book necessary to any silver library.

I went home, went to my "Waldron" to look up coffee pots, to see what they looked like, and to see if they were often faked, and what were the most often repairs made.

Then to Jacksons, Then to you.

One hand washes the other.

Marc

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Ulysses Dietz
Moderator

Posts: 1265
Registered: May 99

iconnumber posted 08-08-2009 03:05 PM     Click Here to See the Profile for Ulysses Dietz     Edit/Delete Message   Reply w/Quote
Has anyone thought more about this coffee pot? The idea of a Huguenot maker in London is right in line with the wonderful complex fluting-which has a distinct continental flavor. I am surely no expert in English stuff, but the look of the bottom doesn't seem fake (the script of the scratch mark looks absolutely right, and not a 19th century hand imitating an 18th century one). Even IF it were an early 20th century Hanau fake, it would be worth what he paid for the whole lot!

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swarter
Moderator

Posts: 2920
Registered: May 2003

iconnumber posted 08-09-2009 02:01 PM     Click Here to See the Profile for swarter     Edit/Delete Message   Reply w/Quote
It looks to me like there is an overstamp with the letters "WG" between and at right angles to the original letters (turned counter-clockwise 90 degrees).

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agphile

Posts: 798
Registered: Apr 2008

iconnumber posted 08-14-2009 07:05 PM     Click Here to See the Profile for agphile     Edit/Delete Message   Reply w/Quote
Now that you point it out, I can see that what I thought of as a squiggle is probably the G of an overstamped WG. Until recently I had assumed that overstamping was always the result of a retailer adding his own mark, which could well have been the case here.

However, a silversmith friend has recently told me that it will often have been the other way round. Manufacturing silversmiths would often mark a piece for the retailer who had ordered it (the sponsor). Retailers are and were prone to treat the makers badly and cancel orders, themselves having been treated as badly by their clients. The maker would then be left with items marked for somebody who was no longer the sponsor so would have to re-mark them in order to submit them for assay and sell them elsewhere.

I am not sure that this scenario would have applied at the date of the coffee pot, but by the second half of the 18th century, as the distinction between retailers and makers became more marked, it seems a very probable one.

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salmoned

Posts: 336
Registered: Jan 2005

iconnumber posted 08-27-2009 07:11 PM     Click Here to See the Profile for salmoned     Edit/Delete Message   Reply w/Quote
The 'WG' appears to me to have been struck after the 'IP' mark. Also, it appears to be in an oval cartouche, more modern in appearance than the underlying mark.

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