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Author Topic:   Fakes continued - post #3
Scott Martin
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iconnumber posted 05-24-2000 10:35 AM     Click Here to See the Profile for Scott Martin     Edit/Delete Message   Reply w/Quote
[01-0124]

This is a continuation of two threads in the General Silver Forum

Fakes posted 07-01-99 11:08 PM

Fakes continued - post #2 posted 07-22-1999 01:38 PM


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Brent

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iconnumber posted 05-24-2000 10:46 AM     Click Here to See the Profile for Brent     Edit/Delete Message   Reply w/Quote
I just saw a dandy fake this weekend. It was a nice cast of a cold meat fork in Whiting's "Lily" pattern. Surprisingly, the faker tipped his hand. The word STERLING is part of the original die, and thus appeared in the casting, albeit faintly. Further down the handle, the faker had crudely struck another STERLING mark, which would certainly not have beendone on a real piece.

I hate to think that people are buying this stuff, thinking it is the real thing.

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Paul Lemieux

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iconnumber posted 05-26-2000 09:01 PM     Click Here to See the Profile for Paul Lemieux     Edit/Delete Message   Reply w/Quote
I was recently at an antique store and I noticed an approx. 9.25" berry spoon which was identical in size and pattern to Tiffany's strawberry pattern berry spoons (i'm not sure if Strawberry is the pattern's real name, but there is a cluster of them at the top of the handle). The item was sloppily cast, with many rough areas. The "Tiffany & CO. STERLING" mark had been covered up by whoever cast it, and "sterling" was lightly stamped. At least the copier had the decency to remove the Tiffany name from his inferior piece.

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Brent

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iconnumber posted 07-18-2000 10:11 PM     Click Here to See the Profile for Brent     Edit/Delete Message   Reply w/Quote
How's this for fakery? If you observe dealers in militaria, especially Civil War stuff, you will find a lot of "camp sets" for sale. These groupings usually consist of a spoon, metal plate fragments, a cup and maybe a fork. The implication is that these pieces were unearthed on civil war battlefields, and are authentic relics. I have yet to see a piece of flatware in a "camp set" that is from the Civil War period. Mostly of the spoons are plain pattern silverplate from the late 1800's or early 1900's. The pieces have probably been buried in the ground to acquire the correct patina, and are then paired with some random scrap metal to form these "camp sets". Judging from the large number of these sets on the market, someone is making a decent living concocting these fakes. I wonder who buys them.

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Paul Lemieux

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iconnumber posted 12-06-2000 11:38 PM     Click Here to See the Profile for Paul Lemieux     Edit/Delete Message   Reply w/Quote
Some more questionable items from the 'specially re-manufactured' department...both spotted online.
  1. A Gorham Cluny pattern teaspoon (I think...the length of the remake was 5.25") that has been "specially re-manufactured for scooping relishes and condiments," to quote the seller. The asking price was 55.00--there were no takers. Another picture showed an old monogram...so this was an old piece that has been not only highly buffed but cut down and reformed as well.

  2. This silly thing, made by cutting the middle two tines from a fork and giving it a tiny point there, has even been given its own name...the seller calls it an "English Server." I don't even know what that means. This example is in Chantilly; the same seller also offered "English Servers" in Cinq Fleurs, Etruscan, and many more. They have all been "freshly polished." These things have been getting bids for as much as 45.00.

There has also been a seller online who is making modern recasts of Aesthetic period silver. They are clumsily cast. But here too there are buyers...a pair of tongs, with seaweed and shell motifs, taken from Gorham originals sold for 67.00, despite the poor casting!

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hello

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iconnumber posted 10-14-2006 01:46 PM     Click Here to See the Profile for hello     Edit/Delete Message   Reply w/Quote
I just wanted to add my frustration to this post. Recently one dealer sold a recast spoon in Gorham's Narragansett pattern for a buy it now price of about 390 dollars more than it is worth. I wish there was a better way of policing and stopping this outright deception!

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dragonflywink

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iconnumber posted 10-14-2006 03:02 PM     Click Here to See the Profile for dragonflywink     Edit/Delete Message   Reply w/Quote
I saw that "Narragansett" piece, the buyer has been purchasing most of the Narragansett type pieces listed. In the case of the one hello mentioned, the photos were clear and it was an absolutely, dreadful re-cast (worst one I've seen) of the crab 5-o'clock spoon. Hate seeing listings like that, but the buyer should have known better.

Cheryl ;o)

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TBC

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iconnumber posted 10-15-2006 11:43 AM     Click Here to See the Profile for TBC     Edit/Delete Message   Reply w/Quote
Interesting posts. Has anyone recently encountered faked English or Irish hall marks?

Rgds,

Tom

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Ulysses Dietz
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iconnumber posted 10-17-2006 02:01 PM     Click Here to See the Profile for Ulysses Dietz     Edit/Delete Message   Reply w/Quote
While I try to stay out of the fray, I do find myself compelled at times to warn both sellers and buyers if I feel there is a serious mistake. While correcting all the mistakes on Ebay would replace my paying job, sometimes I can't resist.

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argentum1

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iconnumber posted 10-17-2006 03:34 PM     Click Here to See the Profile for argentum1     Edit/Delete Message   Reply w/Quote
You are correct. In addition to the fakes there are quite a few buyers more than willing to part with their cash. I used to offer some helpful(hopefully) comments but now I just keep my mouth shut. After all it is their money.

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swarter
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iconnumber posted 10-17-2006 04:00 PM     Click Here to See the Profile for swarter     Edit/Delete Message   Reply w/Quote
The online auction site will no longer allow anyone but the seller to contact bidders, so all anyone can do is try to correct the seller. Some are appreciative and will post the corrections, but others are "dumb like a fox." After being ignored repeatedly and told to mind my own business once too often, I decided it was not worth my time. Especially since the online auction site is such a mine-field for the unwary, it behooves the bidders to know what they are bidding on -- caveat emptor.

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salmoned

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iconnumber posted 10-17-2006 04:34 PM     Click Here to See the Profile for salmoned     Edit/Delete Message   Reply w/Quote
Well, I tend to appreciate fuzzy photos and poor descriptions because well presented items tend to sell at higher prices. Asking for additional information often results in a response from honest sellers, but if the price is low enough to risk buying a lemon... I go for it.

I have sent correction emails to sellers on occasion, most recently to someone selling a sugar tongs with a P.W. Ellis & Company mark (anchor, E, lion passant guardant) and 'Sterling', advertised as 1820's Georgian.

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Clive E Taylor

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iconnumber posted 10-17-2006 05:49 PM     Click Here to See the Profile for Clive E Taylor     Edit/Delete Message   Reply w/Quote
Quote
-----While correcting all the mistakes on Ebay would replace my paying job, sometimes I can't resist.----
Unquote.

Quite

I have the same feelings and do sometimes contact sellers. What is so surprising is that I find the vast majority of sellers actually appreciate the input given to them, rather than resent interference. I suspect as their reputation depends on truthfulness this is why they are usually very fast to amend their entries. There are deliberate fakes on ebay- but in my opinion most sellers are scrupulously honest - if often misinformed.

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dragonflywink

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iconnumber posted 10-17-2006 06:14 PM     Click Here to See the Profile for dragonflywink     Edit/Delete Message   Reply w/Quote
Truthfully, have given up contacting sellers with corrections, probably 1 out of 6 responds or changes the listing and a couple have been downright nasty. Probably because I'm usually letting them know that their piece might not be as valuable as they think. On the other hand, one sweet lady with a piece of Scandinavian silver that she'd misidentified in all sorts of ways, thanked me and asked for some help with some others, then sent me the piece that I'd corrected her on at no cost. Would have bid on it if she hadn't overpriced it so dramatically at the start. Still makes me smile when I see it.

Cheryl ;o)

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doc

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iconnumber posted 10-18-2006 05:52 PM     Click Here to See the Profile for doc     Edit/Delete Message   Reply w/Quote
To follow up on the question about Irish and English fakes, yes they exist. In addition to people using fake hallmarks, there are also those who take legitimate hallmarked "parts" and attach them to a newer piece. One item I saw recently was a Victorian era coffee pot, with clear markings on the lid of the pot, but with a footed base with much earlier Georgian marks on it. The dealer, who I actually do respect in terms of knowledge, showed me both sets of marks, but took the position that the lid was a later addition, which was a practice in Victorian times for certain types of pieces. However, the "replaced" base was fairly obvious on this piece for several reasons. First, the style of the pot was of the Victorian era, and not of the period of the base marks. Second, the solder marks were visible. Third, the silver of the pot had a much different "color" than the rest of the piece. I have not returned to see whether he has relabeled the piece or not.

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TBC

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iconnumber posted 10-20-2006 02:33 PM     Click Here to See the Profile for TBC     Edit/Delete Message   Reply w/Quote
Thanks Doc for your response. I watch English and Irish silver reasonably closely on ebay and I have rarely seen spurious marks.

The one time I did, I brought it to the seller's attention. He withdrew them Took my views on board and went to an antiques' dealer friend who concurred with my view. He then sent them to the assay office in London. The items were six silver plates, Irish c 1878 (from memory). The marks did not tally with Jackson's. However, on further investigation I found that Jackson's also has an appendix of photos of Irish marks - guess what, they were there even though the drawings in the main body of the book were totally different. It was no surprise that he later told me that the assay office confirmed they were as they appeared.

So, there are some very honourable ebay sellers. And again, I ask, when was the last time anyone encountered a genuing English/Irish silver fake?

Rgds to all,

Tom

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hello

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iconnumber posted 10-21-2006 06:01 PM     Click Here to See the Profile for hello     Edit/Delete Message   Reply w/Quote
I have no problem with honest mistakes, but trust me, in the case of the narragansett spoon, the seller knew better and then some. Some people just don't get it. They figure the money is worth ruining their reputation I guess.

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venus

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iconnumber posted 11-02-2006 03:19 PM     Click Here to See the Profile for venus     Edit/Delete Message   Reply w/Quote
ebay has a place for people who really know things about, say silver or china etc. They can write a post about the pitfalls to look for and tell others about obvious fakes. They also have a place where the readers can rate their post. Being way down on the list of knowledge about silver I could not do it, but there are many many many of you here, who know what you are talking about and could. But don't give up the day job to do it. *smiles*

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Brent

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iconnumber posted 12-24-2006 08:19 PM     Click Here to See the Profile for Brent     Edit/Delete Message   Reply w/Quote
At least two of the top silver pattern matching services in the US are happy to sell "remanufactured" pieces, or items made up from genuine pieces. One calls them "Hand Crafted", the other "Custom Made" Most sterling ice cream forks on the market are made up from teaspoons; you really have to know what the originals are supposed to look like before buying, if you care about authenticity.

Anyway, these made-up items will continue to trickle into the secondary antiques market, because people do buy them. Most people are happy to have an item they want in their pattern, even if it isn't "real". The tricky part is for the future dealer to tell the made-up from the genuine antique. Also, to determine what the made-up item is actually worth, because there clearly is a market for them.

Also, there are some substantive rumors floating of fakery at the very top end of the market, with gold plated insects and other critters being applied to pieces that never had them originally. Be careful out there!

Brent

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Marc

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iconnumber posted 01-13-2007 03:03 AM     Click Here to See the Profile for Marc     Edit/Delete Message   Reply w/Quote
Hi Scott, Brent, et al,

Let me start out by saying.. "buyer beware". If you are buying silver, find a dealer that you trust.

Starting 8 or 9 years ago, a lot of "made up" sterling silver flatware pieces have come on the market, either on line or at antique shows or shops.

The first thing to watch out for is the converted tea spoon or coffee spoon. These are the cheapest pieces to start with. If you are in doubt about a piece you are looking at, place the suspected piece on top of the unconverted spoon or fork and see if the expensive converted piece could have been made from the cheaper original.

Ice cream spoons have been made out of teaspoons forever.

Quantity of an item can be a sign that there has been a conversion.
I have seen thousands of Mustard ladles being made from teaspoons and coffee spoons, salt spoons from demitasse spoons and 'ideal olive spoons' from ice tea spoons. Flat butter knives get converted into butter picks,

Generally, if one piece can be made from another, it is being done.. and done cheaply.
The usual cost is $5.00 per piece to do the simple stuff like mustard ladle conversions.
And... I have seen a coffee spoon in the Whiting 'Lily' pattern converted into a mustard ladle, and sell for 5 times what the spoon would, so there is incentive for dealers to misrepresent (or not mention the origin of) their merchandise.

You can usually tell who is selling conversions, because they have a lot of them for sale. For example, if I have 3 mustard ladles at one time, that is a lot. But if I see someone on line or at a shop or a show who is selling 20 or more at once, they are usually conversions. Buy them with the knowledge that they are conversions.

Marc Cutcher

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ellabee

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iconnumber posted 12-13-2008 04:54 PM     Click Here to See the Profile for ellabee     Edit/Delete Message   Reply w/Quote
I've recently encountered a new or new-to-me fakery of the kind discussed in this thread:

Tablespoons whose bowls are stamped to fake a "repousse" fruit pattern, turning the item into a supposed berry spoon. Have seen identical bowls on the big online auction site on Whiting 'Old King' and Polhamus & Strong 'Bead' spoons, and another that no longer has the image available. In two cases the bowl was given a gold wash, in another case the gold wash has been applied and then rubbed off the high spots as if worn.

I'll post pictures soon.

[This message has been edited by ellabee (edited 12-13-2008).]

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jersey

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iconnumber posted 12-13-2008 08:37 PM     Click Here to See the Profile for jersey     Edit/Delete Message   Reply w/Quote
Just another try at helping a seller by pointing out a known Tiffany fake & was told he/she was just listing in the title what was written on the item. I guess that's what happens when Tiffany looses the court case.

OTOH I found china etc. marks mis-ID'ed by sellers & they were most appreciative for my comments & changed their listings when possible, or added it.

A funny story, when a Hockey player's car showed up on that auction site for sale, (as it happened, I know the player, & the car), & that weren't it! P.S. The player also agreed it never belonged to him.

And the beat goes on!

Jersey


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ellabee

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iconnumber posted 12-14-2008 10:36 PM     Click Here to See the Profile for ellabee     Edit/Delete Message   Reply w/Quote
Wev posted an image of the 'real thing' in the way of gold-washed repousse serving ends in this thread (maker query - horsehead) -- a scoop with a raised fruit and melon design.

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taloncrest

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iconnumber posted 12-15-2008 08:11 AM     Click Here to See the Profile for taloncrest     Edit/Delete Message   Reply w/Quote
There is a thread concerning berry spoons made-up in this way from simple Georgian and Victorian pieces somewhere on the forum, but I've been unable to find it. I've a mid-Victorian teaspoon that has been altered in this way, but I purchased it at a flea market knowing fully well that it had been altered. Why it was done to a teaspoon is a mystery to me.

[This message has been edited by taloncrest (edited 12-15-2008).]

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ellabee

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iconnumber posted 12-15-2008 09:43 AM     Click Here to See the Profile for ellabee     Edit/Delete Message   Reply w/Quote
Here are two examples of the fakery using the same stamping press. Above: Whiting 'Old King', below Polhamus & Strong 'Bead'.

To my surprise, the seller of one of these posted my fake alert, which points buyers to the photo of the other item.

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ellabee

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iconnumber posted 12-15-2008 09:52 AM     Click Here to See the Profile for ellabee     Edit/Delete Message   Reply w/Quote
The thread taloncrest refers to is probably this one, about mercury gilding (Please explain mercury gilding to me); see Silver Lyon's post on 6-27-2005.

Update: Or this thread ('William Holmes?'), which discusses Georgian spoons remade into 'berry spoons' in the Victorian era or later.

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ahwt

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iconnumber posted 12-15-2008 10:15 AM     Click Here to See the Profile for ahwt     Edit/Delete Message   Reply w/Quote
Mixed period berry spoons is another one. This has been a popular subject - as are the spoons.

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ellabee

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iconnumber posted 12-15-2008 10:15 AM     Click Here to See the Profile for ellabee     Edit/Delete Message   Reply w/Quote
In the William Holmes thread, swarter took issue with characterizing the 'berry-ized' Georgian spoons as fakes. I can't agree, particularly if the later modification is not made explicit. Certainly, examples vary in beauty, skillfulness, and the value of the original spoon, but without explicit note of the later alteration, all are pretending to be something they're not.

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ellabee

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iconnumber posted 12-15-2008 11:42 AM     Click Here to See the Profile for ellabee     Edit/Delete Message   Reply w/Quote
Here's a coin spoon in the Olive-variant pattern patented by Philo Gilbert in 1859, with a closeup of the bowl. The gilt is matte.

Original, or reprocessed later in the 1800s? (or even later...?) Certainly the dimensions make it plausible that it started life as a table spoon.

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Paul Lemieux

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iconnumber posted 01-29-2009 08:59 AM     Click Here to See the Profile for Paul Lemieux     Edit/Delete Message   Reply w/Quote
When Georgian spoons were being transformed into "berry spoons" in the mid/late Victorian period, some American manufacturers capitalized on the trend and produced serving flatware with chased bowls in a similar style. I have seen numerous examples of berry servers by companies like Albert Coles that feature chased fruit/leaf motif bowls. Enough in the same style to make me suspect they came from the factory that way.

I would not be surprised if ellabee's spoon came from the factory with that bowl. Or at least was chased by a local jeweler while it was still new. The grape leaves along the edge look very American 1860s to me. That is certainly the bowl's original shape and scalloped edge.

[This message has been edited by Paul Lemieux (edited 01-29-2009).]

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FWG

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iconnumber posted 01-29-2009 03:08 PM     Click Here to See the Profile for FWG     Edit/Delete Message   Reply w/Quote
I agree with Paul, I think this piece is legit.

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ellabee

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iconnumber posted 02-05-2009 10:22 AM     Click Here to See the Profile for ellabee     Edit/Delete Message   Reply w/Quote
Thank you both. I'd still be fond of it, even if it were an altered piece, but since it's one of my favorite acquisitions I'm pleased to know it seems original.

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argentum1

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iconnumber posted 02-05-2009 12:25 PM     Click Here to See the Profile for argentum1     Edit/Delete Message   Reply w/Quote
Some years ago a dealer friend of mine and I were at a show in Southern Ohio. We came across an 1810's teapot which looked a bit odd. Someone had silver soldered a new base on top of the old base and had marked it with a Southern makers name. Looking at the inside bottom for a shadow of a mark, which one always sees, there was none. So we got out the calipers to measure the thickness of the bottom and it was way too too thick. We saw no indications of a repair such as a patch. As the solder was fairly heavily applied we surmised someone had inserted a circular patch with a spurious mark and silver soldered it into place. We might have judged it wrongly but I rather doubt it. Some people will go to any length to enhance the value of an item.

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swarter
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iconnumber posted 02-06-2009 11:44 AM     Click Here to See the Profile for swarter     Edit/Delete Message   Reply w/Quote
quote:
we surmised someone had inserted a circular patch with a spurious mark and silver soldered it into place.

It could have been a genuine mark taken from a damaged piece or one of lesser value - unfortunately not an uncommon practice in years past.

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chase33

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iconnumber posted 05-06-2009 07:02 PM     Click Here to See the Profile for chase33     Edit/Delete Message   Reply w/Quote
I just couldn't let this little gem not get posted. It appears to be a teaspoon that has been "re-manufactured" into "I-don't-know-what-it-is". And to make matters worse it sold!

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Dale

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iconnumber posted 05-07-2009 01:04 AM     Click Here to See the Profile for Dale     Edit/Delete Message   Reply w/Quote
In my experience, most people buy silver they can use. So, if an old piece is revamped to meet modern needs, it will sell. To my mind, we are not looking at fakes, we are looking at adaptations to current conditions. And the people making them show more imagination than the currently barely hanging on silver companies.

The impetus for modifying silver came in the early 80's. Most dealers were stuck with silver they had paid too much for during the bubble. They had to move things out without too great a loss. So, we began to see all the wonderful new silver come out. The 'English fork' above was usually offered as the 'baked potato server'. Good seller since the standard product did not offer anything to serve baked potatos with.

These sold best person to person, as the regular cook/entertainment people tend to buy that way. A lot of old pieces got a new lease on life this way. And the silver using public was expanded.

Looking at the Cluny remake, my thought is there are probably not two dozen active collectors of this pattern in our hemisphere. And they already have teaspoons. So for the dealer the choice is haul around forever, scrap or adapt the piece. The least damaging option is to adapt the piece into something that the casual silver buyer can treasure and use.

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bascall

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iconnumber posted 05-07-2009 03:24 PM     Click Here to See the Profile for bascall     Edit/Delete Message   Reply w/Quote
Sorry, but this last Chantilly piece is one item that I wouldn't care to rescue from the scrap bin. No matter how useful its reincarnation may be, it looks to me like somebody ruined a perfectly good spoon.

[This message has been edited by bascall (edited 05-07-2009).]

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agphile

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iconnumber posted 05-09-2009 10:07 AM     Click Here to See the Profile for agphile     Edit/Delete Message   Reply w/Quote
A fake St Peter Apostle spoon:

This is prompted by the inquiry earlier in this thread about "genuine" fake English marks. A year or two ago, when I was still an internet novice (I have been slow to adapt to new technology) I thought I had found a relative bargain in an internet auction. When the spoon arrived it proved to be a fairly obvious fake. The seller agreed to refund my money but I was reluctant to let the spoon back on the market so instead negotiated a greatly reduced price (allegedly what it had cost the seller) and kept the spoon. Naïve, perhaps, but I find fakes have an interest of their own.

The most common fake apostle spoons are re-shaped 18th century spoons that have had a finial added to them. The giveaways are that the proportions of the resultant spoon are usually wrong and that there is a full set of marks for too late a date climbing up the back of the stem. This spoon is a bit more sophisticated in its attempt to deceive. At first glance it could be a genuine early 17th century St Peter though with marks that are now illegible. I believe it may in fact have been cast from a genuine original. The stem marks, however, are not from the original spoon. They are possibly the closed up marks from a bottom marked London 18th century spoon and have been very skilfully let into the stem. It took me a long time to spot the solder line. What's more, the four 18th century marks have been reduced to three to allow for the fact that leopard's head mark, or the trace of a mark purporting to be that, is in the bowl.

It is not a new fake and may have been lurking in a collection unrecognized for a time. A genuine spoon of the period with illegible marks because of wear over time would still be pretty valuable so I imagine the original faker made his or her profit.


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